Webinar notesIndustry update 2026 and what productions are starting upNotes from a webinar on Thursday 5 Feb with Helen Johnson of Talking Point |
Trump tariffs and California’s tax incentive The tariffs idea has been universally dismissed as impractical, yet Trump continues to mention it - it gives him a chance to suggest that California’s Governor Gavin Newsom has let Hollywood down and needs Trump’s help. Newsom, a possible presidential candidate for the Democrats in 2028, has increased California's tax incentive - the state is now competitive with other US states that are film-making hubs, notably Georgia and New York. Has that caused some productions to shoot in Hollywood instead of the UK? Not in the short-term but the Californian tax incentive may start to bring more productions to Hollywood longer-term, and if Newsom were to be successful in 2028, then as President he’d be likely to introduce a federal (US-wide) tax incentive, which would have an impact on the UK. For the moment, the UK remains the second biggest production hub in the world and benefitted from $8.7bn worth of US spend on TV and film drama in the last 12 months. However, against these positive figures and the fact that overall film and TV spend is increasing, for crew on the ground it often feels like budgets are being cut and there’s a squeeze on rates. This is part of the post-strikes landscape, where production companies still commit to the ‘legacy, high-conviction titles’ like Avengers or Star Wars, but have resolved to ‘consolidate’ the mid-range slate, where they are producing less and cutting back on the budgets. Meanwhile crew in LA, still recovering from the fires, are struggling with a quieter industry and the fact that many productions now go abroad. Many feel demoralized by recent events. Warners Bros and Netflix Netflix has sweetened their bid by making it all-cash instead of cash and shares, and meanwhile Paramount appears to be frozen out. Monopoly concerns have been all but dismissed and Netflix have said they will continue the WB theatrical release calendar. Filmbase article on the WB/Netflix situation: https://www.filmbase.uk/warner-bros-takeover Rates Part of the concern is that Netflix could attempt to push rates down, compared to the Bectu ratecard. Longer-term, with less production companies around, there’s less leverage for crew in rate negotiations. This will be discussed in a Rates Round Table for Superversing Art Directors, organised by Filmbase on 12 Feb. If you are a Supervising Art Director and would like to join, you can do so here: https://www.filmbase.uk/event-6541692 We’re proposing to hold a similar discussion for Set Decorators. TV TV production is more buoyant than film, in terms of spend and the amount of productions that are coming through. TV has a larger stake of that $6.8 billion US spend - around $4 billion of that is from HETV. Domestically, TV drama remains strong and the broadcasters have all committed to more British content. Regionally, there are productions that are crewing up at the moment for March-April starts. Overall, be it for TV or film, the feeling is that we’re “back to what normal looks like” for the first time since before the pandemic. 2026 feels like a ‘normal’ year in the TV and film industry, compared to the years before we experienced the boom and bust years around the pandemic and strikes. It’s generally quiet at this time of year (Jan/Feb) in the film and TV industry. In fact, the list of forthcoming productions is very good for this time of year. Strikes The US writers’, directors’ and actors’ contracts come up for negotiation again next year (they come up every few years); inevitably because the last time the contracts came up for negotiation, the US strikes happened, this has prompted talk online about more strikes. However, neither US union has mentioned anything about strikes and Bectu tells us they’re not preparing for any strikes. Meanwhile in the UK actors have voted ‘no’ in an Equity ballot asking them if they’d be prepared to be digitally scanned on set. This is so their images can’t be used by AI. In the long-term that raises the possibility of a strike. However, Bectu have told us: “This was an internal ballot and not an industrial action ballot - this would require a different procedure.” Equity is still in negotiations and support from the British Film Council means that overall the ‘temperature has been lowered’. Productions for 2026 Not a conclusive list but here's what we've heard about what is starting up soon and over the rest of this year. Please note that this list is accurate to the best of our abilities. Production status changes quickly and frequently! TV series
Going abroad
Already crewed These productions are already into prep, shooting or we understand are already crewed. However, they may need dailies, so it’s always worth investigating!
If you’re new to the industry and wondering what to do with this info, who to contact and so on, we have an article on Filmbase about all of this here: https://www.filmbase.uk/page-18708 Talking Point have a book called ‘How to get employed in the Art Dept’ which goes into this as well: https://www.talkingpointfilm.co.uk/product-page/how-to-get-employed-in-the-art-departmentTalking Point courses: https://www.talkingpointfilm.co.uk/items Other articles by Filmbase "Does copyright mean I can't show my film and TV work in my portfolio?" The Side Hustle - selling on Etsy Looking after your crew's wellbeing and mental health Which Programs to Learn for the Art Department How do you find out what productions are starting up? Negotiating and Holding Your Rate About the Departments - which suits you best? | Upcoming webinars
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